A decade ago, Guillermo del Toro famously stopped his work on an adaptation of H.P. Lovecraft's At the Mountains of Madness because he felt Ridley Scott's Prometheus had beaten him to the punch. Scott himself was mum on the issue, but when Prometheus premiered in theaters it was clearly connected to ATMOM, whether Ridley (or Spaihts, or Lindelof) were public about it.
So what exactly is Prometheus' connection to Lovecraft's 1931 novella? Do they share story beats, or are there deeper philosophical connections between the two?
In this second installment of our investigation into cosmic horror and the Alienfranchise, we mount an expedition to look for answers to questions we might not've known we were asking in the first place.
Art by François Baranger.
// Apple Podcasts: bit.ly/perfectorganismitunes